This is my third installment of this, and I’ve only just realized I obviously missed the mark the first two times around. If you remember I originally did these as part of a school assignment where we were creating pitches for our work. The class never really explained what pitches were or how to go about doing them. We were just instructed to pitch our books in 3-4 sentences. Well, I ended up focusing on the 3-4 sentences part and trying to squeeze as much a possible into that. The end result was that my pitches sounded more like jacket summaries and were much too long.
Then a contest via Twitter came to my attention. It was called #pitchmas and the idea was to do the same thing: pitch your novel. Only this time I had much less room to work with because of the character limit and the requirement of adding the genre and hashtag into the pitch as well. It forced me to really cut, tighten, and perfect my pitches so that they were clear, concise, and hooking. Finally, I understood pitches.
The reward for the contest was that agents/editors/publishes watched the feed and would favorite the pitches they liked. This equaled a request for more material. At the end of the day-long contest I received three favorites aka three requests to see my work. I was shocked. Coming from someone who didn’t understand pitches and who had really just begun writing them, I was surprised mine got any interest. Now there were other writers who got many more. I heard of 14 from one and 20 from another. It was a great opportunity to not only write pitches but read other writers’ pitches as well. And I always learn from reading and seeing other examples. I also retweeted a lot of pitches I would actually really love to read the corresponding full books on. I hope they get published one day as well.
If this sounds really fun or helpful and you’re upset you missed out, don’t worry. Another pitch contest is being held on Jan 8th called #PitMad. Check out the info here. Work on your pitches and head over to Twitter on that day and see what happens! You have nothing to lose and only experience and good things to gain.
Here are some of my tightened up pitches.
Book 3 Pitches
*There are a lot of things Ezra Winchester didn’t see coming: his mother’s death, becoming a millionaire, and getting kidnapped. Now he sees things clearer: he’ll either fight for his freedom or die a hostage.
*Being a hostage was not part of Ezra’s plan for junior year. Now escaping with his life is the only thing that matters.
*Ezra is kidnapped for his money. His friends are taken because they’re witnesses. Together they’ll fight for their freedom or die captives.
Book 2 Pitches
*What if the bad boy is actually a gentleman and the good girl has a dark side? Can opposites attract if no one is who they say they are?
*Maddie knows how to take orders, not make choices. Cameron can take a beating, not give trust. Love will change them both.
*Maddie Carlisle and Cameron Dawson shouldn’t be together. She’s the lapdog for her popular clique, and he’s the defiant transfer student overflowing with secrets and bruises. When she trades ‘forbidden’ for ‘freewill’ opposition erupts everywhere.
And the Pitch I wrote in Part 2 for my current WIP I now realize could have been completely cut to just the first sentence:
*When eighteen-year-old Oliver Reid’s girlfriend dies and mysteriously appears as a ghost, he embraces the haunting, disregards the impossible, and sets out on mission to put the love of his life back together again.
What a difference!
For this post I’ll offer to help hone and critique anyone’s pitches. If you want to participate in #PitMad but need an extra set of eyes before next Wednesday, post your pitches in the comments, and I’ll give you feedback. I’d be happy to get a conversation going here!
Or if you see any issues or possible improvement for my pitches above, feel free to post that as well!